From the cover to the cuts and everything in between, King XTRA does everything to invoke the old school. Except this isn't an attempt to become a clone of NastraBiggiePac. He flips the hommage in his own unique way and stamps his authority as an up and coming artist with massive respect for the old school. In an error where the divide in hip-hop is nearly as bad as it is in politics, it's great to see a new school artist show some respect for the folks who made it all possible. He won't have to worry about 'Whiny old rappers' hating on him, and if the new breed of MC's had half the skill of King Xtra, they wouldn't have to worry either.