Allright from London is here with some dark, fast, mostly instrumental electro. It starts off pretty minimal, but that doesn’t last long. About a minute in you’re introduced to the main melody, and it’s a dubstep style bass, thick as concrete. Synths weigh in to reinforce the sound, but the bass always takes centre stage. Halfway through comes the breakdown. Synths bubble away, orchestral stabs cut in. There’s a short sample of a Rastafarian man saying the song’s title. Is this a homage to Bob Marley, who of course made his own One Love? Play this mid-set when you want to send the crowd insane, in a good way.